Her father died before she was born, but Ella Benton knows they have a connection that transcends the grave. Since her mother disapproves, she keeps her visits to the cemetery where he’s buried secret. But when Ella learns that her mother may have lied about how Dad died sixteen years ago, it’s clear she’s not the only one with secrets. New facts point to his death in a psychiatric hospital, not a car accident as Mom always claimed.
When a handprint much like the one Ella left on her father’s tombstone mysteriously appears on the bathroom mirror, she wonders if Dad is warning her of danger, as he did once before, or if someone’s playing unsettling tricks on her. But as the unexplained events become more frequent and more sinister, she finds herself terrified about who—or what—might harm her.
Soon the evidence points to someone new: Ella herself. What if, like Dad, she’s suffering from a mental breakdown? In this second novel from award-winning author Yvonne Ventresca, Ella desperately needs to find answers—no matter how disturbing the truth might be.
Chapter One, Beautiful Boy:
I approach Dad’s tombstone with trepidation, then breathe a sigh of relief. No mysterious flowers wilt at his grave as I had feared. Last August, someone left fresh orange lilies for him throughout the month. I never figured out who. Then, in September, the flowers stopped appearing as suddenly as they started. I always wondered, with an odd mixture of anxiety and hope, if I would run into the other mourner— someone else who honored my father. But I never did.
Usually, the ritual of navigating the same cemetery rows, visiting Thomas Darren Benton, and putting a small rock on his headstone calms me. Now, the heat is relentless and sweat trickles down my back as I search for the perfect pebble. It needs to be a nice, roundish one. Despite the lilies left last summer, Dad wasn’t a bouquet kind of guy.
I know this even though I never met him. He died before I was born, so I have no memories of him, only stories from Mom that I’ve heard so many times it feels like I was actually there. I see him beam during his graduation from veterinary school and feel his hand pat Mom’s pregnant belly. I hear him pick my name from the baby book: Ariella, meaning lion, although Mom insists they nickname me Ella. I smell the damp on his clothes from the night he rescued Oscar the kitten from a storm drain and brought him home to stay. These recollections have been cobbled together into my own version of Dad for the last fifteen years.
Today the sky is gray and foreboding, but the occasional burst of wind does nothing to cool me. I finally find just the right rock nestled in a patch of grass and rub off the dirt with my fingers. My friend Jana taught me the tradition of leaving a stone as a way to mark my visits with something more permanent, more enduring than flowers.
I’m the only person who comes to his grave somewhat regularly, other than last summer’s unknown mourner. I don’t think Mom’s been here since her engagement to Stanley, a non-reading, self-absorbed, stubby man. With the wedding only days away, Stanley’s settled into our apartment, but each awkward conversation we have leaves me yearning for the father who painted my room a cheerful yellow, who created a mini-library of animal books to read to his future daughter.
I hesitate before Beloved Husband and Father, rolling the pebble between my fingers, then place it in line with the last one, making it the eighth in a row. I let my hand linger against the cool granite. Next week is Dad’s birthday, August 8. That number has been lucky for me since I was eight years old, when I could have died, but because of Dad’s warning, I didn’t.
The air gusts, whipping strands of hair across my face and scattering the pebbles to the ground. My skin prickles at the eerie timing before I realize that the wind has been stormy on and off throughout the day. Still, it spooks me because nothing has disturbed my markers in months. Until now. It’s almost like Dad is giving me another sign.
The cemetery turns out to be more peaceful than home. I’m lounging across my bed checking my phone with Oscar purring beside me when—bang—Mom pounds on the adjacent wall. Oscar scampers to the top of my bookcase, his favorite spot in times of trouble.
The room next to mine serves as Mom’s office, and since my soon-to-be-stepbrother is expected to arrive later tonight, she’s fixing it up. Loudly.
I give up on coaxing Oscar down and move to the doorway. “What are you doing?”
“Look.” She points with the hammer at two new pictures of the Manhattan skyline where a framed print of The Cat in the Hat used to be. Besides changing the wall decorations, she also cleared out the closet and moved her many piles of papers from the desk. “Do you think Blake will like it?”
I have no idea what Blake will like. The only photo I’ve even seen of him is one that Stanley keeps on his nightstand. It’s a faded picture of a young blond boy at the beach, smiling up at him.
“The room looks nice,” I say. “But it’s not like he’s living here forever.” Blake would only be staying with us for a few weeks until he moved into his dorm at NYU.
“I know. But I want this to feel like home for him.”
She certainly cares a lot about this guy we’ve never met. The filing cabinet, the now-spotless desk, and the fax machine are the sole remnants of her office.
“After we find your dress today, I need to buy some blue sheets and maybe some towels, too,” she says. “Are you ready to go?”
“Sure.” I sigh quietly.
Our apartment building is directly across from the Hoboken PATH station. After a short train ride to the Newport Mall, I remember for the hundredth time why I hate shopping with Mom. Every dress she pulls off the rack is revolting. But the wedding is only days away. We need to find something suitable that won’t forever embarrass me when I see the photos in years to come.
“How about this?” Mom holds up a mauve paisley thing with puffy sleeves, her eyes shiny with hope. “This color will look so flattering on you.”
“Maybe.” I don’t want to hurt her feelings, so I purposely drift away to shop on my own. And then I see it: a pale yellow dress, strapless, with a flouncy skirt and sequins around the middle. The dress sparkles when I hold it against me. I can’t wait to try it on.
Mom will hate it. She’ll want me to look conservative for the small group of friends and family at her wedding. My strategy is to show her other dresses she’ll hate even more. I find a black mini she’ll say isn’t long enough and a floral sundress she’ll think is too casual.
When I get to the dressing room, Mom and three hideous pink dresses await.
I try on the minidress first, which she predictably declares too short. Luckily, the mauve one bunches at my waist. She likes the sundress, but not for the wedding.
I put on a blush-colored one.
“It’s not bad,” she says. “What do you think?”
“Too much lace. It’s like wearing a tablecloth.”
She nods in agreement.
Finally, I try on the yellow one and giggle with delight. I come out, posture perfect, feeling like a princess. “Isn’t it beautiful?”
Mom frowns. “Strapless? You’d need something over it.”
I twirl. “I have that silver sweater at home.”
“Let’s see the rose-colored one.”
In the dressing room, I breathe deeply as I put on the last dress.
Her face lights up when I step out. “Ella! It’s so pretty! It brings a glow to your cheeks. And it’s perfect with your coloring.”
She calls it my coloring because I inherited Dad’s brown hair and brown eyes instead of her fairness.
“The rose is all right,” I say. “But don’t you think the ruffles look too childish for a sophomore?”
“Honey. It’s perfect for an almost-sophomore. And it’s appropriate. The yellow one might be nice for a dance, but for the wedding . . .”
I close the curtain and put on my shorts and favorite T-shirt, the one with the tabby cat that says Rescued is my favorite breed. It’s her wedding, I remind myself. She should get to choose. I should be mature.
I walk out and hand her the ruffled dress.
“Thank you. It means a lot to me,” Mom says. “I’ll pay for this and go to the bedding department. Want to meet at the food court in an hour?”
I shake off my annoyance and detour into the accessories section, where my friend Grace had seen a cute wallet with kittens on it that she thought I’d like. I’m sifting through the clearance items when this guy approaches me, holding a bunch of ties. Whoa. He’s tall and blond, and his white polo shirt shows off his tan.
“Excuse me,” Beautiful Boy says. “I’m trying to decide between these?” His voice lilts into a question. His smile is friendly, his eyes deep brown and intense. “I suck at this kind of thing.” He somehow manages to look model-perfect and sheepish at the same time. “Would you mind helping me pick one?”
I blink for a minute, staring at his face instead of the ties. My delayed response verges on awkward. “Okay,” I say. “What are you wearing it with?”
“A gray suit.”
I’m conscious of his eyes on me as I study the ones he’s chosen. It makes it hard to think. None of the ties have any yellow, my favorite color. Maybe it’s the dress shopping with Mom, but I point to the gray one with rose-colored diamond shapes. “I like this.”
I wish I could prolong our interaction somehow so that I can learn more about him. He lingers a too-short moment, then gives me another smile before he turns away.
I can’t help feeling like something momentous has transpired. I’m a believer in karma and fate and the mysterious workings of the universe. As I watch Beautiful Boy walk away, I hope that meeting him again is meant to be.
Excerpt from Black Flowers, White Lies by Yvonne Ventresca. Copyright © 2018 by Yvonne Ventresca. Reproduced with permission from Sky Pony Press. All rights reserved.
Whether the topic is psychological manipulation, ghostly encounters, or surviving a deadly outbreak, Yvonne Ventresca enjoys the thrill of writing about frightening situations. BuzzFeed listed her latest novel, BLACK FLOWERS, WHITE LIES at the top of their YA “must read” list for fall 2016, and this psychological thriller received an IPPY Gold Medal for Young Adult Fiction in 2017.
Her debut YA novel, PANDEMIC (Sky Pony Press, 2014), won a Crystal Kite Award from the Society of Children’s Book Writers and Illustrators. Yvonne’s other credits include several short stories selected for anthologies, as well as two nonfiction books. She is a member of the Mystery Writers of America, Sisters in Crime, SCBWI, The Authors Guild, and International Thriller Writers.
Besides writing, she loves a good ghost story, and as a third-degree black belt, she studies Isshinryu karate in a haunted dojo. You can learn more about Yvonne and her books at YvonneVentresca.com, where she also features helpful resources for teen writers.
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